✎✎✎ Character Analysis: The Awakening Of Sunshine Girl

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Character Analysis: The Awakening Of Sunshine Girl



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The Haunting of Sunshine Girl - Book Review

Daisy is actually from a mental institution. Ben X has Scarlite, a girl the autistic protagonist Ben plays with in an RPG who talks him out of suicide and inspires him to stand up to the bullying he endures at school. It's subverted, however, by the Scarlite we see for most of the film turning out to be an imaginary construct of Ben's mind. Joon is a mentally-ill woman who falls for him as it comes to light that they understand each other in a way other people don't. Her brother Benny, who's taken care of her all these years, is the uptight character wary of her getting involved with someone else, and has to accept that he's not only being overprotective but also neglecting his personal happiness by worrying so much.

In Better Off Dead , Monique plays this role for Lane, helping pull him out of his depression after his girlfriend dumps him. Betty Blue from the French movie Betty Blue. To quote the IMDb summary: "[The lead character] lives a quiet and peaceful life, working diligently and writing in his spare time. One day, Betty walks into his life, a young woman who is as beautiful as she is wild and unpredictable The trope is, however, deconstructed, as Betty is not quite right in the head.

Both movies focus on a straight-laced , successful, dark-haired guy Bruce Willis and Griffin Dunne being paired with a free-spirited , crazy blonde chick note In Blind Date , Kim Basinger sports dark, brown hair instead of her trademark, platinum blonde look. His entire way of life gets demolished over the course of 24 hours. Also all but demolished along the way is a beloved car. Declarations of love are made at a lead character's wedding to someone else in Blind Date , hers and in Who's That Girl , his.

And there's a wealthy, snarky , future- father-in-law , who doesn't seem to respect his child and arguably thinks more of the intended. Even the posters with the oversize female heads with their mischievous expressions next to a smaller version of the male lead are similar. The Boy Who Cried Werewolf : Paulina's entire personality toward David is as a plucky, energetic, quirky women opening David's heart again after his wife's death. Of course, it's all an act to mask her vampirism, and make David more comfortable selling the mansion to her. Subverted with Goran, the Romanian boy who falls in love with Jordan.

After she becomes a version of this due to The Mind Is a Plaything of the Body , he becomes rather freaked out by her. Sam Rockwell plays the buddy-movie equivalent in Box of Moonlight. He wears a Davy Crockett costume and teaches John Turturro to love life; while there's no romance, there's certainly a lot of naked swimming. In Breakfast at Tiffany's Audrey Hepburn plays the quirky, wild child of a neighbor. However, the protagonist eventually tells her to get over herself. Although she doesn't insinuate herself into his life so much as yank him bodily into hers.

Another gender-flipped example, Rhodes is this to Annie in Bridesmaids. His main function in the plot is to make kooky observations about vegetables and encourage Annie to follow her dreams. It's a slightly more nuanced example than most: his biggest romantic gesture is presented as at best well-meaning but tone-deaf, and while he encourages her to follow her dreams by returning to her love of baking and dream of owning a business , he also encourages her to deal with the mundane realities of her life by fixing her tail light.

She also repeatedly tells him that she doesn't need him to "fix" her. She really loves the Durham Bulls, and she knows so much about both baseball and the finer things in life that when she dates a player she picks one per season he has the best year of his career. She has a lot of fun with a bunch of strapping young men, helps the team improve at the same time, and makes no apologies for it. Subverted with Cabaret 's Sally Bowles, who demonstrates just how messed up this kind of character tends to be in real life. She and Brian have a lot of fun at first but it's soon illustrated that she loves her partying lifestyle too much and she aborts their baby because she doesn't think she's mother material. The last scene of the film has her performing a number that implies she's going to continue a life of fun and frivolity — but the crowd is full of Nazi officers, implying Sally's fun won't last too long.

Dylan Morgan in Cas and Dylan is a wannabe writer—as well as a chronic liar, compulsive shoplifter, and general-purpose motormouth who bums a cross-country car ride with Cas Pepper, a widowed doctor who is dying of an inoperable brain tumor. Subverted in that not only is there no romance between the two, Cas also goes through with his plan to end his life—yet ends up enriching Dylan's life by leaving her all his earthly possessions. Chungking Express , features Faye the "California Dreamin'"-obsessed snack bar girl: to help a police officer get over his breakup with a flight attendant, she frequently breaks into and floods his apartment, switches the labels on all his canned foods, and rearranges his furniture.

Eventually, he falls for her, but she stands him up and decides to "see the world" by becoming — yes — a flight attendant. But don't worry: everything works out okay. Molly, played by Emily Mortimer, in City Island , is the catalyst to resolve the dysfunctional family's problems, but her own are not touched on until near the end of the film or resolved during its course, though one could optimistically interpret the manner of her self-effacing withdrawal from the action as her taking the first step towards doing so.

Clara : Clara is a downplayed version. Though not so energetic or wacky, she's far more loose and optimistic in comparison to Isaac a bitter, unhappy man. By working with her and becoming a couple, he gets over the loss of his son that caused this though she dies. Cluny in Cluny Brown has an unusual love of plumbing, enriches the lives of others when she's around, and is rather confused about social orders, especially in the very Stiff Upper Lip house she goes to live in as a maid. Zooey Deschanel is often identified with this character type in general, although many of her other roles play with the trope rather than serve it up straight. Allison from the Jim Carrey film Yes-Man is a subversion. Her quirky hobbies are entirely for herself, and she's pretty horrified at the idea of just being a tool for Carl's happiness.

She also calls him out when he tells her that she's so fearless, and explains that of course she has her own fears, and that she's also perfectly happy living her life without him. Overall, Summer is a deconstruction of the Manic Pixie Dream Girl, as Tom thinks she's this and treats her as a romantic ideal without considering that she's an actual person who might have her own feelings — and what's more, a case can be made that he ultimately turned out to be a Manic Pixie Dream Guy to Summer, who tells him at the end that he taught her that love is real.

She plays the role completely straight in the Hollywood film version of The Hitchhiker's Guide to the Galaxy , in which her character was Promoted to Love Interest. In the film adaptation of Bridge to Terabithia , she merges this with the Cool Teacher role - as she plays the only teacher in a conservative school that encourages the protagonist's creativity. Of course she's also just in a supporting role, and actually becomes an Unwitting Instigator of Doom inviting Jess on a trip to the museum, and Leslie dies while he's with her.

Rabin defines a Manic Pixie Dream Girl as a character who "exists solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures". When Kirsten Dunst was asked about the term directly, she didn't like it. Charlie Kaufman has examined this concept more than once. Clementine of Eternal Sunshine of the Spotless Mind is this type of character, though the relationship plays out more realistically. She even references the "you complete me" line, to her distaste, from Jerry Maguire. She also lampshades this to a certain degree, saying that Joel shouldn't expect her to "save" him, and that she's "just a fucked-up girl looking for her own peace of mind.

It's like, you secure yourself with this amazing, burning meteorite to carry you to another world, a world where things are exciting. But, what you quickly learn is that it's really an elaborate ruse. Harry: Quirky, messy women whose problems only make them endearing are not real. Light Novels. Kagerou Daze : Ayano tried to be this for Shintaro. It's deconstructed in that Shintaro — while genuinely internally grateful for her — was too self-absorbed to show affection back, while Ayano suffered through her mother's death and subsequently finding out that her father is planning to kill two of her best friends alone, which eventually results in her suicide, in an attempt to get an eye power , this in turn the primary reason that Shintaro is a Hikikomori when the story opens.

Ene also acts as one to Shintaro, constantly urging him to go outside. She just so happens to also be a complete troll when he pisses her off. Notably, she is also the one to sign Shintaro up for the Mekakushi-Dan when he's unconscious. Initially, it seems like Rikka is the bizarre pixie girl who enters strait-laced protagonist Yuta's life to shake him up and teach him to embrace being Chuunibyou again, but as the story goes on it becomes apparent he's the one who has to help her get over her deep psychological scars. Kyon was fine with his life as it was, or at least thought so until the day he decided to strike up a conversation with Haruhi, not knowing at the time what he was getting himself into.

Their meeting gave her the impetus to create the SOS Brigade. Rather than wait around for extraterrestrials, espers, and time travellers to show up, she decided they'd investigate strange happenings around their neighborhood in hopes of finding them herself, and she volunteered Kyon as her first inductee. The series goes deeper by exploring Haruhi's psyche, revealing that her eccentricity stems from her perpetual boredom. Complicated further when Koizumi explains that Haruhi unknowingly possesses the ability to reshape reality as they know it, according to her desires. And is convinced she may be the god of their universe.

Despite Kyon's initial skepticism, this revelation sheds new light on his perception of Haruhi, and he eventually accepts that Koizumi may be right. He also comes to realize that he actually likes the weirdness that surrounds her and ultimately admits he prefers life with Haruhi than without note near the end of "The Disappearance of Suzumiya".

Her personality an off-kilter , food-loving and somewhat dense tomboy otaku certainly qualifies for this trope, but her main focus is simply to avoid getting killed or exiled as per the original game. However, since the original Catarina was a selfish brat, "Monkey Catarina" showing basic human decency and kindness to those around her is really all it takes to improve their lives. For example, in the game Catarina's adoptive brother Keith is a shallow playboy because she and her mother treated him like crap , but because "Monkey Catarina" always wanted a little brother, she showers him with love and attention which results in his growing into an upstanding young man albeit with a sister complex. Nyarlathotep please, call her Nyarko from Nyaruko: Crawling with Love!

In fact, it actually works to her disadvantage, as her manic nature including lying to people about their nonexistent sex life and impending firstborn actually puts off her Love Interest Mahiro, who's said that he has a hard time believing her confessions of love and has admitted to himself that he'd like her better if she could take it down a few notches note That, and her being a Lovecraftian Cosmic Horror who only LOOKS like a cute girl kinda wrecks his mood. In fact, the few times Nyarko has toned herself down and acted demure, even Mahiro is surprised at how attractive he finds her. Shimoneta : Life was normal for Tanukichi, until his fateful encounter with Blue Snow , who saves him from the Public Decency Squad at the railway station.

Later that morning, he learns she's really Ayame Kajou , the vice-president of Tokioka Academy's student council. Guess who she drafts as her first recruit? Beatrice is the most loving, humble, and beautiful woman in the world, so Dante dedicates his whole life to her despite talking to her once before her death. We don't hear much from her or learn what she does with her life and instead only learn about her through her affects on the male lead.

In The Divine Comedy , Dante has lost his way in life until Beatrice comes down from Heaven to send her lover on the right track through a bizarre journey through the afterlife. The poem builds anticipation for when Beatrice lovingly reunites with Dante, only to unbuild the trope by having Beatrice coldly condemn her lover and make it clear that improving him is going to involve more harshness than manic glee. But Dodo is anything but good for the men in her life — or herself — until she grows up a bit and earns her happily ever after.

Repeatedly deconstructed in John Green 's books. Word of God confirms this and Green says he hates this trope played straight. He partly wrote Paper Towns to deconstruct this trope further out of concerns that he didn't do a thorough enough job of it with Looking for Alaska which does deconstruct the trope, but in a different and arguably more abstract manner, and is primarily focused on death and suffering and how we individually figure out how to deal with their inevitable reality : that the people whom we idealize are in fact just as vulnerable, selfish, flawed, and self-destructive as anyone else, if not more so.

Through Miles "Pudge" 's eyes, Alaska is a goddess, but she repeatedly shows warning signs of emotional instability and a Dark and Troubled Past that he ignores due to it not fitting in with his idealized image of her. She calls him out on this, too, after an emotional meltdown at the end of Thanksgiving Break, pointing out to him that he likes the sexy Hard-Drinking Party Girl side of her and not the "crazy sullen bitch" she sees herself as. The point's only driven in further by everything that Pudge discovers in the "After" Section of the book — mainly that the self-destructive behaviors that Pudge and the others liked and encouraged in her led to her death.

A principal point of the novel is that this trope is an unhealthy and unsustainable view of someone because it doesn't allow them to be a real person. Paper Towns : Margo Roth Spiegelman embodies this trope, at first, having been Quentin's crush for all of his life and taking him on a pranking adventure at the beginning of the story. She's seen this way by most of the other kids at school as well, due to her frequent disappearances and similarly enigmatic behavior. Reliably, though, she's not all that she seems. The final part of Q's journey is understanding that she's a real person who isn't responsible for him and has her own problems and fears. He then lets her, and the dream of her, go. She was not a fine and precious thing.

She was a girl. Live-Action TV. Baskets : Trinity seems like a MPDG at first; a sexy, alternative young woman who takes Chip under her wing when he joins a clique of fellow hoboes in Season 2. It quickly gets subverted when she turns out to be a bit of a neurotic mess getting upset when he upstages her in their clown act , and she quits the group after making a failed pass at him. They reconnect later, and Chip ends up helping Trinity get her life in order and introduces her to her future husband. Early on Dharma fits the trope, but as with most characters in a successful, long running show Character Development sets in and she eventually becomes a more complex, well rounded individual with her own wants and desires. There are even some episodes that invert it, with Greg helping her realize that her "quirky" methods are not always for the best.

A big part of the show is that while she's this to Greg she's actually the grounded and sane one in her family and circle of friends. Skins : Cassie Ainsworth is a Deconstructed Character Archetype , since she has multiple legitimate psychological problems and they're portrayed with all the seriousness they require. She doesn't exist solely as a love interest for Sid, but whenever the story is focusing on him this is clearly how he sees her.

She's quite self-serving at times, and it's debatable whether she ultimately changes his life for the better. She makes him blissfully happy at times, and utterly miserable at others. A relationship with someone so mentally unstable they try to commit suicide when you cancel a date was never going to run entirely smoothly. In her Season 7 episode, Pure , she has completely changed and now rejects this trope. Cassie is no longer the wild, carefree pill popping girl she one was and has now depressingly matured into a young lonely woman who rarely socialises. She has seemingly outgrown this trope and realised being a 'Manic Pixie Dream Girl' in the real world can never work. In season 6, a lovelorn Alo meets a sweet, bubbly girl named Poppy Champion who pulls him out of his depression with her quirky and adorable ways.

That is, until she reveals that she's really thirteen years old , and she reports him to the police when he tries to dump her. Subverted on Dexter. Lila initially seems to have all the personality traits of a Manic Pixie Dream Girl, and she latches onto Dexter, the main character, a forensic scientist who also happens to be an emotionless serial killer who only kills people who really deserve it. As the series goes on, though, she starts showing the dark side of mania : her antics go from amusing to dangerous, and she stops being charming and starts being scary. Dexter: You are more dangerous than my addiction will ever be. And that's saying a lot. Abed: He'd run after her and make a fantastic display of affection!

He's the new guy, not easily reformed by some quirky girl that he met at work! The "flower girl" from "The Rain, the Park and Other Things" by the Cowsills; the narrator runs into her on a rainy day in the park and falls in Love at First Sight , but after they go for a walk together she seemingly vanishes, leaving him only a flower to remember her by. The Dead Milkmen 's song "Punk Rock Girl" plays this trope enthusiastically straight, with a dweeby narrator describing a series of playfully violent encounters with an unnamed female other. We got into her car Away we started rollin' I said "How much you pay for this? She's a butterfly in mid-July Who just can't wait to try her brand new wings On brand new things And she needs no rhyme or reason when she goes Her mind is on what lies beyond That wall of blue horizon, I suppose And heaven knows She'll go sailin' off on any old wind that blows.

As she is beautiful, she's unpredictable, Damned irresistible, is it plausible to hate her? She is my common sense, revels on decadence, But what's the difference, it's impossible to bait her. Her eyes believed in mysteries. She would lay amongst the leaves of amber. Her spirit wild, heart of a child Yet gentle, still and quiet and mild And he loved her. The truth is I am a toy that people enjoy Till all of the tricks don't work anymore And then they're bored of me. Mythology and Religion. It's understood that a relationship with such a literal manic pixie is doomed to end with the human lover losing his mind from exposure to the sidhe's alien ways, or have his life drained away from the sheer excitement she causes him to have.

It's also implied that a human may die from despair , as he knows the pixie will leave him one day and he'll never find anyone like her ever again among a human population. Mermaids tend to have this effect on fishermen in Nautical Folklore. Stand-up Comedy. Simon Amstell of Grandma's House and Never Mind the Buzzcocks , discusses and deconstructs the trope in all but name in his show Do Nothing : "I was in Paris recently with a new group of people, one of whom was a sort of kooky interesting girl, though in hindsight not that interesting. I always get fooled, I always think, Oh she seems fascinating.

Is she, Simon? Or does she just have short hair? And I guess telling you about that now, it sounds exciting and fun, but at the time I just thought, Why would we do that? The Neil Simon play Barefoot in the Park explores the relationship of Manic Pixie Dream Girl and her dull love interest; fun loving Cory flickers between trying to spice up her housewife roles and pouting that her new husband won't pay attention to her, while Paul struggles with his wife's playful nature he loves and focusing on the career he kind of needs. It's a romantic comedy but does show the MPDG Cory as childish and needing to grow up if she wants her marriage to really work.

It ends with them switching roles and Cory learning to worry a little about the result of her actions. In Bells Are Ringing , Ella Peterson steps into and improves the lives of three clients of the telephone answering service she works for. She helps a dentist realize his ambitions to become a songwriter, makes a washed-up Brando wannabe actor stop mumbling, buy a suit and get a part, and a struggling playwright overcome his Writer's Block and, incidentally, fall in love with her. Subverted in the musical Cabaret : Sally tries to be a Manic Pixie for Cliff, but her determined spunky optimism and unwillingness to grow up make her ignore the threat of Nazism and drive Cliff away from her.

The very dark Donmar Warehouse production played her eventually as an outright nihilistic Death Seeker. Carmen deconstructs this: she's a Hot Gypsy Woman who seduces and enchants the lead male, Don Jose, with her free-spirited nature, but quickly tires of him as he proclaims his everlasting love for her. Turns out she's not so much for the forever love, and she leaves him for someone much more exciting. As a result, he kills her out of jealousy at the end of the opera.

Marta in Company acts this way, but it's a subversion as she does not really seem to have any major effect on Bobby's life. Deconstructed as far back as Ibsen's A Doll's House , in which the heroine Nora is a seemingly flighty, vivacious, kooky child-woman who gradually realizes that she's been so working so hard at playing this role for her more conventional husband — even through bearing him three children — that she has never really grown up and has no idea of her true self, and that their relationship is thus only a game, not adult love. She leaves him to try and learn how to be a fully formed human being. Susan Hollander from Woody Allen's Don't Drink the Water is borderline the definition of this trope as her only personality trait other then that she is a Satellite Love Interest for major screw-up Axel is that she is somewhat of a hippie the fact that the show was written and set in The '60s helps.

The Mrs. Hawking play series: Subverted in part four, Gilded Cages. Hawking suggests that her husband saw her this way and that she suffered greatly from his effort to box her into that role. The entire Musical is basically about this trope played with in multiple ways. Of the three; Mimi and Maureen both rail against their lovers' objectifying them as such, dealing as they are with their own respective emotional turmoil. The only true essential Manic Pixie Dream Queen is Angel, not just for his lover Tom Collins but for the entire show, as his joie de vivre , boundless generosity and loving energy serve as both a model and moral compass against which every other character measures his or her own self-defeating behavior and emotional incontinence.

Of course he dies in act two thus fulfilling the transient aspect of the archetype. Classic example: Maria in The Sound of Music. She's often overlooked as an example of the trope, because she's really trying her best to be a mature, motherly type in addition to being a nun. There's an entire song dedicated to her MPDG tendencies, sung by the other nuns in her abbey who are frustrated with her childlike flightiness and apparent inattention to the reservation demanded of her as a nun.

Sheherezade in Twisted: The Untold Story of a Royal Vizier is a thorough subversion; since she lives in a world where magic is a real and tangible thing, her dreamy, creative life as a storyteller yields valuable knowledge rather than pointless whimsy. When she brightens Jafar's life, it's a deliberate and skillfully clever effort on her part rather than just her innate quirkiness, and when Jafar falls in love with her, it's because her argument for the value of magic is logical and well-reasoned enough to convince him of her worth, even if he never actually adopts her viewpoint on it. Wicked has a whole song about the trope, sung by Elphaba, who watches unhappily from the sidelines as Glinda effortlessly charms everyone. Gets deconstructed a bit in the second act, though.

The titular character in the ballet La Sylphide is a childlike free spirit who snatches James's ring to spirit him away from his soon to be wed fiancee Effie. However this trope gets a brutal deconstruction. Once the sylph has James in the forest, she seems to lose interest in him or isn't mature enough to fully enjoy an adult relationship. Things get even worse when James attempts to keep the sylph with him via a magical scarf given to him by the witch Old Madge.

The scarf is poisoned, the sylph's wings fall off and she dies. Video Games. Catherine from the Atlus puzzle game Catherine. Deconstructed, in that Catherine's a literal pixie dream girl, being a succubus who's taken on the form of the main character's ideal woman. Flonne from Disgaea: Hour of Darkness initially joins Laharl to see if demons are capable of love, and starts lecturing them. Merrill from Dragon Age II.

She's quirky , innocent, endearingly awkward and clumsy and probably the most optimistic companion, nearly always cheerful and friendly. If on the friendship path, she just about hero worships Hawke and harbors an obvious crush on them. However, her character development and very concrete goals outside of Hawke which she will accomplish with or without Hawke's help ultimately save her from this trope. Slowly defrosting the consummate and brooding mercenary Cloud.

However, she gets a rude awakening as to just how high the stakes are by the end of the first disc, and while she continues to encourage Squall to open up to her and others throughout the game, it's no longer in the manner of this trope. Tidus from Final Fantasy X is a rare male protagonist example for Yuna. He came into her life out of nowhere when she's about to go on a pilgrimage that will more or less make her a glorified human sacrifice , and his cheerful and somewhat goofy outlook and his tendency to keep asking questions about parts of her culture that she just took for granted helps her grow as a person. He's also a literal dream boy. She constantly tries to drag them places and get them to enjoy life. Elise is an interesting case in that, while naturally an upbeat and outgoing person, there are times when it's implied that she's deliberately exaggerating these traits in order to be a soothing presence for her more jaded siblings.

The trope is played a little bit straighter in her supports with Ryoma and Takumi. Then, at the end of her route, she has to go back to her own time and never returns, which typically kicks the player right in the feels in the process. Neverwinter Nights 2 : Depending on how you play, your character can be one of these for Casavir, or a male version for Elanee. Gann can be a male one for the player in Mask of the Betrayer.

Neeshka seems to play this role in some parts of the main campaign. In Persona 3 , the female protagonist has some elements of this in her relationship with Shinjiro Aragaki. It's most evident in about the eighth rank of his Social Link; having previously thrown a party for the rest of the dorm at the protagonist's instigation, he reflects on how good it felt and how he wouldn't have done it if it hadn't been for her influence; by the end of the game she has given him a new lease on life, only to herself die as a result of performing a Heroic Sacrifice to stop The End of the World as We Know It. Amy Rose has a crush on Sonic the Hedgehog because she sees him as this, even though it's usually not reciprocated.

Sonic himself fits the manic pixie type well minus the relationship: he's a free spirit constantly on the lookout for the next adventure, most of the other characters look up to him for that reason, and he convinces others to live life to the fullest. The latter is most apparent in Sonic and the Black Knight , where the villain's motives go against his life philosophy. Towards other people: slightly the same , but a different story. And yup, she also died Subverted when it turns out she had severe loneliness issues herself. Presumably, Kyosuke saving her from certain death in their backstory is what caused her to embrace this trope and declare herself his quirky girlfriend.

Perhaps not the typical variation in that there are some She also works as a Deconstruction of one, as her love for Emil and attempts to better his personality only work in making Emil more annoyed. So by trying to be the girl who can change the cynical shy boy with no friends, she instead ends up driving him away and worsening their relationship. It doesn't help that until her Character Development , she doesn't acknowledge Emil's real personality and is really imposing her own heroic views onto him. A supporting character variation in Tales of Graces with Pascal for Hubert. He starts out completely cold, withdrawn, and mistrustful, but by the end of the future arc Pascal has completely worn him down with her friendliness and wacky charm, and around her he's either a stammering dork, an aspiring romantic, or a knight in shining armor, depending on the context.

It's a last minute subversion, though, because she has no idea about his feelings for her even once he pretty explicitly tells her he's in love with her. It's hinted she might return his feelings, but they're stuck with a Maybe Ever After. So it's an even bigger deconstruction, because the story focuses purely on how she's viewed, not on what she actually does. Shiki Misaki of The World Ends with You is a subversion: she has the job of a Manic Pixie Dream Girl: she gets Neku to begin to come out of his moody, loner shell and learn the game's Aesop about trying to connect with other people.

However, she does have a number of her own problems, not the least of which is she's only pretending to be this type of character because in reality, she's just as shy and lonely as Neku. Visual Novels. The same can be said for Phoenix Wright's relationship with Maya Fey, or just about any assistant of the main character. In the Flash-based visual short story Air Pressure , a nameless young man is re-evaluating his continuing relationship with Leigh, an MPDG who came into his life a few years ago.

How closely she fits this formula depends on your choices. Ultimately subverted after a couple plays through when the addiction subtext sinks in. Odon's wife Karen in Fleuret Blanc is less hyperactive than most examples, the narrative is similar: She came into his life when he was in a dark place, and her peaceful and spiritual outlook influenced many of his current beliefs and life decisions. She also died tragically. Tamie Nogi 's route in Princess Evangile has her become this to Masaya.

Until their trip together throughout Japan, Masaya had mostly been having an uneventful stay in Vincennes following the Premier Jugment. Her inviting him on that trip signals the change of his stay there to a far more eventful one. Haruka from Little Busters! However, the trope is subverted, as it turns out Haruka does all of this very much for her own sake: namely, as a way of getting back at her straitlaced, 'perfect' twin sister Kanata who is supposed to be controlling her while at the same time proving that her own rule-free life away from her extended family from which she has been exiled is much better than her sister's under their control.

It doesn't work, and as her route goes down the facade breaks down more and more, revealing the incredibly insecure, socially awkward girl underneath. Sentimental Graffiti : Emiru's manic-ness made her a social outcast with everyone except the protagonist. Ciel starts out looking like one for Shiki in Tsukihime. It's an act; she's a Hunter of Monsters , and is trying to get close to him because she thinks he's Roa's latest host. While she actually falls for him over the course of the story, her 'real self' is somewhat less cheery.

Yume Miru Kusuri subverts this quite harshly. Nekoko seems like a literal Manic Pixie Dream Girl, being a quirky and cheeky counterpart to the sulky, brooding male protagonist. In her route you learn that she's neither a pixie nor a dream girl, but a shy and troubled drug addict that tries to escape her dull life. Web Comics. They became a couple during a trip to Wales, which Esther had initiated relatively spontaneously. Subverted in Bastard!! Kyun does draw Jin out of his shell, but it's not only her who does it; Manny helps too, and it's mostly Jin himself who decides to make friends. Plus, she has her own problems to deal with, and doesn't exist only to help Jin. In Bobwhite , Georgia sees his girlfriend Shoshanna as someone exciting, someone who does things.

Everyone else sees Shoshanna as a drug abuser whose lack of inhibition turns every conversation into a trainwreck. Denny was the Manic Pixie Man that stirred things up for Candi , allowing her to somewhat get over the loss of her ever-brooding but kind-hearted Donte. One strip of Critical Miss invokes the title verbatim. El Goonish Shive : Ellen invokes this trope intentionally to differentiate herself from the rather-straitlaced Elliot. Non romantic example, as she is his Opposite-Sex Clone , and they see each other as more like brother and sister.

Though she tries to act much the same way with Nanase , too. Grace can be like this to Tedd, especially in the "One Way Road" arc where he's gotten too wrapped up in Mad Science to the detriment of his friendships and social life. There are run-down hotels, lonely public parks, unfriendly rain-soaked streets: Paris here is an ugly, overwhelming metropolis, with no residue of its old romantic reputation but for in the praise given it by Ousmane, a security guard who befriends Paula.

Yet Jeune Femme is also drolly funny, as when Paula joins a tyrannically feminine retail team in a shopping mall lingerie bar. How The French Connection reinvented the Hollywood cop movie. Emily Beecham puts in a star-making turn in this soulful debut feature from Peter Mackie Burns. The Fleabag and Killing Eve series creator is putting complex, dangerous, relatable women on screen.

Juliette Binoche goes looking for love in this scintillating comedy-drama from French director Claire Denis. Little White Lies was established in as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Share this. Going in totally blind here. In Retrospect. A character study, a feminist awakening, and a piquant comedy all wrapped in one.

Even Yamato, who's three and a half meters tall, barely reaches his waist. Joyce Carol Oates Smooth Talk is, until she reveals that she's really thirteen years oldand she reports Character Analysis: The Awakening Of Sunshine Girl to the police when he Character Analysis: The Awakening Of Sunshine Girl to dump her. Retrieved July 8, The same can be said for Nursing Teaching Strategies Character Analysis: The Awakening Of Sunshine Girl relationship with Maya Fey, or Character Analysis: The Awakening Of Sunshine Girl about any assistant of the main character.

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